| Track | Artist | Preview | Add To Cart |
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| A Beer In Korea (11.45MB) - 1:08 The worst kind of Korean muzak, perfect as a tasteless underscore to anything. Features cheesey keyboards, electric guitar to make the Shadows (Hank Marvin) green with envy, Koto, Shamisan, bass and drums. |
Kim Lim |
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| Afrindo (4.01MB) - 0:24 Slow to medium tempo percussion ensemble, featuring drums and percussion from Africa, Asia and Europe. Includes: Celtic frame drum, African Djembe and shakers, Indian Dhol, Thai temple bells, and Middle Eastern Frame drum. Has a chill but slightly menacing flavour. *no sampling of this track for use in your own music. Any such use will be considered an act of piracy unless previously cleared for such use by AWM. |
Sultan Makendé |
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| Anticipation (20.23MB) - 2:00 Floating, serene whooshing meditational, indian fusion groove, featuring classical Indian instruments, including sitar, tablas, flute and keyboards. |
Craig Pruess |
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| Bachanalia (11.51MB) - 1:08 A fusion of East European, Turkish, Albanian, Kurdish, Arabian and even North African elements. Starts with solo Bandoloud then the percussion and gets progressively faster and faster, adding more tension. |
Sultan Makendé |
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| Bamboo Mist (10.49MB) - 1:02 A strange and haunting flute over a high-pitched oscillating drone. Evokes an uncomfortable feeling of loss and strangeness. |
Dave Yowell |
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| Birds Eye View (5.02MB) - 0:30 Very atmospheric Indian sarod (sitar). |
Soumik Datta |
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| China town (8.54MB) - 0:51 Ambient, quirky combination of morphed chinese cymbals and voices. |
Michael Fibonacci |
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| Devastation (8.5MB) - 0:51 Sad and haunting, featuring orchestral sweeps and oriental sounding voice improvisation with no lyrics. |
Jason Greenberg |
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| Drum'n gamelan (9.58MB) - 0:57 Traditional gamelan orchestra from Bali, Indonesia. Starts out pure, then in the second part, is joined by a driving drum'n bass rhythm, creating a very contempory sound. |
Sultan Makendé |
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| Eastern Angel (34.08MB) - 3:22 Very evocative and heart-rending, female, Indian vocal. Further details regarding language and subject matter coming soon. |
Soumik Datta |
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